Search results for " twentieth century."

showing 10 items of 15 documents

Arturo Dazzi e Marcello Piacentini: un lungo sodalizio

2020

The paper investigates the collaboration between an artist and an architect who were among the main protagonists of the Italian cultural scene of the first half of the twentieth century: Arturo Dazzi and Marcello Piacentini. Starting from the plaster model which portrays them together and that reproduces a detail of a monumental work conceived by both between 1924 and 1931, the Arco ai Caduti of Genoa, the analysis will briefly focus on the occasions when the two characters collaborated for the realization of monumental civil and religious works until the post-war period. This case is a significant example of the conception and debate about the relationship between the figurative arts and t…

Arturo Dazzi Marcello Piacentini partnership art architecture monumental works twentieth century.Settore ICAR/18 - Storia Dell'Architettura
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SAZ, Ismael; BOX, Zira; MORANT, Toni; SANZ, Julián (eds.) (2019): Reactionary Nationalists, Fascists and Dictatorships in the Twentieth Century Cham.…

2019

BOXToniFascists and Dictatorships in the Twentieth Century Cham. Palgrave Macmillan2019Borja 163 165:SOCIOLOGÍA [UNESCO]1137-7038 8537 Arxius de sociologia 558787 2019 41 7605688 SAZJulián (eds.) (2019): Reactionary NationalistsUNESCO::SOCIOLOGÍAReactionary Nationalists [Julián (eds.) (2019)]357 pp. Pérez ClimentZiraMORANTSANZIsmael
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Di cani e d'altro

2007

sonetti della poetessa Agathì Dimitruka tradotti in italiano da Maria Caracausi e volti metricamente da Paolo Scrima sonnets by the poet Agathì Dimitruka translated into Italian by Maria Caracausi and metric faces by Paolo Scrima

Greek poetry of the twentieth century Dimitruka dogspoesia greca del 900 Dimitruka caniSettore L-LIN/20 - Lingua E Letteratura Neogreca
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Seferis traduttore della 'Apocalisse'

2003

Sui caratteri della traduzione neogreca di Seferis dall'Apocalisse di San Giovanni On the characters of the neo-Greek translation of Seferis from the Apocalypse of Saint John

Greek poetry of the twentieth century Generation of the Thirty Seferis Old Testament TranslationsPoesia greca del 900 Generazione del Trenta Seferis Vecchio Testamento TraduzioniSettore L-LIN/20 - Lingua E Letteratura Neogreca
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Re-drawing of vanished space: Casa Giobbe della Bitta by Marcello Piacentini

2020

Ha ancora un senso oggi, nel tempo dominato dall’immagine e dal suo potere, interrogarsi sulle ragioni e sulle potenzialità del Disegno di Architettura? Potremmo sfruttare, invece, questa forza immateriale che pervade la nostra era contro il modus operandi della tabula rasa che interessa il patrimonio del moderno in Italia? Un tentativo di risposta a queste domande potrebbe giungere dallo studio di un’opera non più esistente di Marcello Piacentini, Casa Giobbe della Bitta, del 1925. A partire dal ridisegno critico dell’edificio, si vuol tentare una decodifica dell’architettura svanita, analizzandone forme e matrici geometriche che l’hanno generata; la modellazione tridimensionale digitale, …

History Twentieth century Architectural drawingStoria Novecento DisegnoSettore ICAR/17 - Disegno
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La représentation de l'identité sicilienne à l'époque fasciste, des bâtiments publics aux villages ruraux

In Sicily, the walls of many public buildings built in the interwar period house scenes related to official events – historical milestones for the fascist government, such as the March on Rome or the creation of the Empire, and episodes referring to the “micro-history” of the island, such as the visits of Mussolini – or which depiction realistic characters evoking the local population in their context. These murals show the dichotomy of “central power/local technocracy”, which affects the representation of local contexts, ideally placed within the national framework or, on the contrary, far removed from city centres and immersed in remote countryside. The link between the representation of …

Identity Sicily Art Architecture Twentieth Century Representation Population Celebratory Official Fascism Works of Art.Settore L-ART/03 - Storia Dell'Arte ContemporaneaSettore ICAR/18 - Storia Dell'Architettura
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“Spogliare il sacro”. Tutela e dispersione del patrimonio storico-artistico in Sicilia durante le soppressioni degli enti religiosi del 1866

2015

Il saggio affronta il tema delle leggi eversive del 1866-67 e il loro impatto sul patrimonio artistico italiano. La ricerca si è avvalsa di documenti archivistici in gran parte inediti che hanno permesso di chiarire alcuni momenti della tutela e della musealizzazione di opere d'arte in Sicilia, e i numerosi casi di dispersione del ricco patrimonio ecclesiastico. The essay deals with the theme of subversive laws of 1866-67 and their impact on the Italian artistic heritage. The research used many unpublished archival documents which made it possible to clarify some moments of the protection and museum display of works of art in Sicily, and many cases of dispersion of the rich ecclesiastical h…

National MuseumSettore L-ART/04 - Museologia E Critica Artistica E Del RestauroMuseo NazionaleSiciliaSicilia XIX secolo Museo Nazionale PalermoSicily twentieth century National Museum Palermotwentieth centuryXIX secoloPalermoSicily
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Sine cura. Verso il ri-ciclo dell'architettura del secondo Novecento

2019

Gli argomenti discussi nel saggio interrogano il destino che il Codice dei Beni Culturali (2004- 2011) determina per le opere del secondo Novecento. Nella costruzione del futuro di questi manufatti, che per funzione, tecnologia e cicli d’uso sono spesso segnati dall’obsolescenza e dall’abbandono, le ambiguità e le incongruenze delle attuali procedure legislative sollecitano profondamente il ruolo culturale delle esperienze di ricerca che usano metodologie meta progettuali. Il confronto fra alcuni casi italiani ed altri europei rimarca il ruolo del progetto nella costruzione di una prospettiva di tutela trasformativa per il costruito del secondo Novecento. Nel quadro di azione marcato dall’o…

Settore ICAR/14 - Composizione Architettonica E UrbanaThe essay questions the future's possibilities to operate on the buildings of the second half of the twentieth century according to the Italian Code of Cultural Heritage (2004-2011). When arguing how to encourage the re-use of these artifacts which are often marked by short-life technology cycles obsolescence and abandonment the ambiguities and inconsistencies of current legislative procedures deeply stress the cultural role of research experiences that use project-oriented methodologies. The comparison between some Italian and other European cases highlights the role of a design approach in the construction of a transformative protection perspective for the built matter of the second half of the twentieth century. In a framework aiming to encourage a reconciliation between the recent built environment and the new paradigms of sustainability and circular economy architecture must recognize re-cycle practices as a main theoretical and procedural node. To modernize the late Modern built environment with contemporary construction components is not simply a matter of technical knowledge and expertise: but a theme with theoretical density aesthetic and ethical values. The architectural project in this field today must ask for greater congruence between the bureaucratic and administrative levels and the real consistency of this corpus. It is a matter of identifying strategies to equip it with capabilities meanings and contents remembering that demolition wastes have unsustainable environmental costs and uncertain results concerning the necessary new attribution of political and semantic meaning that these places await.
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La représentation de l’identité sicilienne dans les bâtiments publics du Ventennio fasciste

The intervention, included in the panel of the Conference dedicated to the monumental forms of political and cultural identities, proposed the analysis of some artistic decorations of monumental public building made in Sicily during the fascist regime, such as the pictorial cycle of the Palace of the Prefecture of Ragusa, the bas-reliefs of the Casa del Fascio in Messina and the mosaic of the Maritime Station of the same city. The institutional representation of the collective – the Conference’s main subject of interest – was considered in the light of traditional themes of fascist ideology, such as Labour, and by episodes related to the local context, such as Mussolini’s visits or mythiciz…

Settore L-ART/03 - Storia Dell'Arte ContemporaneaIdentity Community Twentieth Century Sicily Public Art Public Architecture FascismSettore ICAR/18 - Storia Dell'Architettura
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Les détails archéologiques dans les décorations monumentales des bâtiments publics siciliens du XXe siècle : une recherche d’identité

The intervention presented a premise aimed at reconstructing the Greek and Roman past of Sicily, the importance of the archaeological heritage rediscovered during the years of the Grand Tour and the archaeological excavation campaigns between the 18th and early 20th centuries. Subsequently, the presence of «archaeological» details or at least attributable to Greek and Roman classical art and architecture in the monumental decorations of Sicilian public buildings of the 20th century was analyzed, focusing on the period of the fascist regime. Fascist ideology, inspiration from the Roman past for the constitution of the «Third Rome» and references to it in periodicals and Italian architectural…

Settore L-ART/03 - Storia Dell'Arte ContemporaneaSettore ICAR/18 - Storia Dell'ArchitetturaPublic Art Public Architecture Archaeology Sicily Monumental decoration detail twentieth century Fascism.
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